AMYL & THE SNIFFERS
POSTER EXPLORATION
This short project explores punk visual language through a speculative event poster for Amyl and the Sniffers. Referencing Australian punk scenes and wheat-pasted street posters, the design uses oversized typography, bold composition, and spikey graphic hierarchy to evoke immediacy and rebellion. The work functions as an experiment in branding through attitude, where imperfection and impact are intentional design choices.
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BELIEVE
CREATIVE CODINGBelieve is an interactive digital experience exploring non-religious spirituality through play, reflection, and shared authorship. Created as part of a one day rapid design challenge at Parsons, the project began with a series of short surveys asking participants what they believe in, outside of organized religion. These responses were translated into a virtual night sky, where each belief became a star, forming an ever-expanding collective constellation.
Rather than presenting belief as fixed or didactic, Believe invites users to wander, discover, and linger. The interface emphasizes intuitive interaction and quiet moments of connection, allowing users to encounter others’ beliefs in an abstract, open-ended way. Designed and built within a single day, the project highlights my approach to experiential interface design and creative coding, using p5.js to transform human input into an emotionally resonant, participatory digital space.
Explore the website here.
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BECK, OR RUBY?
This project started very simply: I love Beck, and love his album covers, especially Midnight Vultures. Super cool. So, why not put myself in them?
This one-day graphic exploration reimagines iconic Beck album artwork by inserting my own image into the visual system, playing with authorship, fandom, and identity. It was also just fun.
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WEAVE
WOVEN PAPER
Weave is a one-day graphic and material exploration investigating how memory is recognized, disrupted, and curated through acts of weaving. Using weaving as both method and metaphor, the project considers memory not as a fixed record, but as something continuously reconstructed, threaded together, pulled apart, and reassembled over time.
Working between graphic composition and tactile process, Weave visualizes how fragments of experience are held, lost, and re-patterned. The project treats weaving as a slow, deliberate form of meaning-making - an exercise in attention, care, and re-composition - offering a quiet reflection on how we build personal and collective memory.
This work was featured in Rove Magazine’s Issue, ‘Just Around the Corner’.
2026