Developed through deep participation in NYC’s drag community, Dragged asks: who gets remembered, and how do we speak for histories that resist permanence?
Dragged insists that queer expressive culture belongs in the historical record. By foregrounding embodiment, movement, and voice, the project challenges the assumption that archives must be neutral, static, or purely textual. Instead, it proposes an archive that is expressive, participant-centered, and alive.
The project began as a physical object: a photo-driven book combining performance photography with interview excerpts. I explored multiple book forms through extensive prototyping, experimenting with layout systems, text-to-image balance, and binding methods including spiral, perfect binding, and collage-based structures. Through this process, I refined the book into a flat-lay format optimized for both photographic impact and long-term distribution.
The book is intended for circulation within independent bookstores, libraries, and community archives, with ongoing conversations underway with Printed Matter, Mast Books, and Bungee Space. The digital archive will remain publicly accessible to ensure broader reach.